Inflatable fantasy sex doll represent the male dream of the opposite sex, the body and skin and other aspects of the perfect, when needed at your disposal, when you do not need to lie still and motionless, will not leave you, and will not just get angry, every man wants a perfect partner like this. Of course, every woman also wants a perfect partner of the opposite sex in every way, to bring them pleasure, not trouble.
The Original Form Of The Inflatable Sex Doll
Before the birth of the inflatable sex doll, want to achieve this wish, necrophilia fetish will keep the body as their own doll. Perhaps this can be considered the earliest dolls, but they do not keep for a long time, and some of the functions can not be met. Of course, if the imagination, you can also use cloth or leather and other cloth dolls made to act as inflatable skinny sex doll. For example, in the era of the Western voyage, sailors in the long voyage will carry a "sailing lady", in fact, is made of cloth and old clothes made of cloth dolls. This "sailing lady" are very simple, and in the narrow cabin can not store too many dolls, so often multiple sailors share a "sailing lady". History records that the French philosopher Descartes in the mid-seventeenth century voyage to Sweden carried a doll made of leather and metal.
And the real sense of the inflatable doll should be the latest origin of the 19th to 20th century, the exact time is unknown, the earliest should be no earlier than the end of the nineteenth century. Because before the nineteenth century, the production of dolls required rubber or plastic and other materials have not yet become widespread, and before the second half of the twentieth century, the production and sale of inflatable dolls are still subject to control or even illegal, so the history of this period are relatively private.
The Development Of Sex Dolls In The Twentieth Century
Earlier records appeared in France, such as the 1908 French magazine "Sexuality in our time" mentioned the use of rubber and plastic made of sex dolls, and even through clever design so that male sex dolls can imitate ejaculation. A 1904 French book, "Chaos in Paris," even detailed the appearance of artificial SHEDOLL. The book records Dr. P showing him the sex dolls he created, which were lifelike, inflatable, and heatable, and each doll was made in a three-month period and sold for about 10,000 francs. Dr. P. added that the three months of work would include an elaborate inner frame, head and body hair, teeth and nails, skin coloring, vein patterns, eyes and tongue. He also spelled out his reasons for remaining anonymous: "Unfortunately, I cannot advertise publicly. The police have been interfering with my business and I've had to put some weird rubber animals around here so I can say I'm a guy who makes inflatable models for fund shows. "
For most of Western history, attempts to replicate human figures, especially for sexual purposes, were considered blasphemous and would undoubtedly have been punished by law. In the East similarly one could not just make a model of a human being, and in serious cases it might be considered trespass. A study of these French records found reveals that doll-making techniques were already very advanced, lifelike in appearance and even functional enough to mimic ejaculation. These research projects were kept underground, but their technology developed very quickly. According to the documents that have been found, the Tayu Doll had already been able to pronounce words at least in 1922. These bodies were like living men and women who could change positions at will by a simple pressure. This complete set of machines, regardless of gender, is 3000 francs. The apparatus can be fitted with recording accessories to record and play any sound for 3250 francs for men and 3500 francs for women. Because France does not have a monopoly on this technology, but allowed it to spread widely. Since then sex dolls have not only blossomed in France, Germany, Austria and other countries have also begun to imitate, but the cheapest in Germany and the most expensive in Austria.
One of the greatest artists of the 20th century, Oskar Kokoschka (1886-1980) was born in Austria in 1886 and fell in love with Alma Mahler, a widow much older than him, when he was young, but three years later Alma decided to end the relationship. Devastated, Kokoschka decided to make a doll identical to Alma's to ease his thoughts of her. After the doll was made, Kokoschka even commissioned Alma's personal tailor to make clothes for her. Once the doll was ready, Kokoschka displayed the doll in public. He took the doll along on carriage rides and to the opera, essentially mimicking the days before he and Alma broke up. Kokoschka has been asked if he had sex with the doll, and Kokoschka has never answered. But Kokoschka said "Alma would have an abortion against his will, and the doll would always remain silent and obedient. "Before Oskar Kokoschka appeared, the dolls were secretly kept for private play, but Kokoschka was the first artist to show them in public, inspiring many people.
Among them was the father of the modern sex doll, the German surrealist Hans Bellmer (1902-1975). Belmer devoted his life to rebellion against art, against his father, against authority, and especially against the Nazi ideology that emerged in Germany in the 1930s. After his wife became increasingly weakened by tuberculosis, Belmer began to have thoughts about his niece, but he understood that he could not have a physical relationship with her, Ursula, but was inspired by Kokoschka and began to create his own dolls in order to realize this dream. With the support of his mother, he and his brother Fritz and Lotte Pinzel created his first doll in 1933. The body of the doll was made of a broom handle and part of a metal pole, with a wooden shell on the outside. Unlike previous dolls, this one is hollow inside. To further express his hidden desires, Bell took the doll apart and rearranged its parts in a series of suggestive poses to represent his fantasies, for which he also took many photographs.After the Irontech Doll was reduced to a tool for expressing various ideas in the hands of the surrealists, the line of development of the doll went completely off the rails in their hands, and its true practical value was ignored. The twisted act of transforming cute dolls for special political purposes should be resisted and strongly criticized.
